THERE can be no doubt about the consistency of Stormzone's output to date; the question is could they maintain that level on new release 'Seven Sins'...


The answer is they have not only matched it, they've exceeded it on an ambitious concept album replete with dark tales.


From the almost Arabic intro strains of opener 'Bethsheba' this is a glorious old school metal with the right of amount of 21st Century pizzazz. There are no week tracks here, there are no fillers - just wall-to-wall riffs they way they should be played.


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This is the fifth outing from the team and it is by far their most mature release, and by far their best: a true evolution in the sound and fury of Stormzone.


The album concept can be seen as allegorical; set in the 18th Century...through our extensive research (Google) we identified the musical weight of Johann Sebastian Bach was the metal equivalent in music. But the concept of this album is not about the music scene in the 1700s.


This is a morbid glimpse inside the Seven Sins Emporium, run by the shadowy Dr Dealer (Stormzone, of course have an album with the title 'Death Dealer'). Dr Dealer and his motley crew of fellow misfits tempt men to test their strength and resolve inside the Emporium.


That the band pull this off is a tribute in itself, with the glorious 'Special Brew' amongst the best examples on the album with its rolling riffery matched only by a chorus sequence to delight lovers of metal melodies.

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Pulling all the elements together was a challenge as vocalist, lyricist and founding member John